Incoming (2024)

You will find yourself drawn into a chaotic night where four freshers grapple with freedom and consequence. The film refuses to settle for shallow party tropes, letting each character’s silence amplify the rawness of their choices. Anthony Ramos’ wry monologue, delivered from a single camera pan, anchors an otherwise frantic montage of neon‑lit revelry. It will appeal to viewers craving gritty authenticity and a daring portrayal of adolescent excess, though the third act drags toward an overly abrupt payoff that leaves some punches unused.